![]() ![]() ![]() Therefore, real-time editing and playback demands RAID 0 (at least 3-4 drives) or an SSD via USB 3.0 or Thunderbolt. Even a fast 7,200 rpm drive will suffer when you add titles, grades, etc. Even a portable 2.5″ platter drive via USB 3.0 delivers 65 MB/s or about 10 streams of 50 Mbps XAVC in 1080p.Īs far as 4K is concerned, the story is different. You will never need more than one hard drive (no need for RAID 0) for real-time playback. No matter which NLE you choose, editing Sony A7s footage is a breeze. Avid Media Composer 7 via the Sony PDZK-MA2 plugin.Apple Final Cut Pro X 10.0.x via the Sony PDZK-LT2 plugin.Here’s a list of NLEs that support XAVC S, AVCHD and MP4: Even if I wanted to create dailies on the fly, I’d prefer H.264 in 1080p. The camera does allow dual recording, though I’m not sure why anyone would use that. Not only is editing easier with XAVC S, it also offers the highest data rate and most robust video file to push in post production. In this final part, we’ll study the post production options and challenges in dealing with both 1080p and 4K footage.Īs mentioned earlier, I would never use any codec other than XAVC. ![]() In Part Seven we looked at the cost of putting together a Sony Alpha A7s kit. ![]()
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